Bobby Caldwell

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I guess you wonder where I've been I searched to find a love within I came back to let you know Got a thing for you and I can't let go My friends wonder what is wrong with me Well I'm in a daze from your love, you see I came back to let you know Got a thing for you and I can't let go Some people go around the world for love But they may never find what they dream of What you won't do, do for love You've tried everything but you don't give up In my world only you makes me do For love what I would not do My friends wonder what is wrong with me Well I'm in a daze from your love, you see I came back to let you know Got a thing for you and I can't let go But then I only want the best it's true They can't believe the things I do for you What you won't do, do for love You've tried everything but you don't give up In my world, only you makes me do For love what I would not do Makes me do for love what I would not do. But the lava lamps are amusing, especially when they shine against the tequila bottle with that little worm inside. So now I'm back to makin promises to you, tryin to keep it true What if I'm wrong, a trick to keep me holdin on Tryin to be strong and in the process, keep you goin I'm bout to lose my composure, I'm gettin close To packin up and leavin notes, and gettin ghost Tell me who knows, a peaceful place where I can go To clear my head I'm feelin low, losin control My heart is sayin leave, oh what a tangled web we weave when we conspire to conceive, and now You gettin calls at the house, guess you cheatin That's all I need to hear cause I'm leavin, I'm out the do' Never no more will you see me, this is the end Cause now I know you've been cheatin, I'm a sucka for love What you won't do, do for love Sucka for love You tried everything, but you don't give up What you won't do, sucka for love Do for love You tried everything, but you don't give up Now he left you with scars, tears on your pillow and you still stay As you sit and pray, hoping the beatings'll go away It wasn't always a hit and run relationship It use to be love, happieness and companionship Remember when I treated you good I moved you up to hills, out the ills of the ghetto hood Me and you a happy home, when it was on I had a love to call my own I shoulda seen you was trouble but I was lost, trapped in your eyes Preoccupied with gettin tossed, no need to lie You had a man and I knew it, you told me Don't worry bout it we can do it now I'm under pressure Make a decision cause I'm waitin, when I'm alone I'm on the phone havin secret conversations, huh I wanna take your misery, replace it with happiness but I need your faith in me, I'm a sucka for love What you won't do, do for love Sucka for love What you won't do, do for love You tried everything, but you don't give up know you ain't right G but yet I'ma sucka for love What you won't do, do for love You tried everything, but you don't give up. What are you willing to give up and what are you willing to forgive?

You vow later to light candles for the injured. You won't need someone to keep tabs on your work or motivate you to reach your full potential. And, like any great relationship, it just gets better and better as the years roll on.

Alicia Keys

The song was released in as the first single from the album. The last six verses feature a female singer who was credited only as Mrs. However, she does not appear in the video, in which her vocals are by Dana Patrick. Meat Loaf promoted the single with. The was a commercial success, reaching number one in 28 countries. The single was in the United States and became Meat Loaf's first and only number-one single on the chart and theand was the in the United Kingdom. There are many shorter single and radio edits. The song opens with a guitar played to sound like a revving motorcycle. The vocals begin at the 1:50 point. The opening vocals are accompanied by piano and backing vocals. The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds. An instrumental section follows the first verse and chorus, lasting over 45 seconds, with piano playing the title melody, accompanied by guitar and wordless background vocals byand. The lead vocals recommence with another verse. The phrase sex, drugs and rock 'n' roll was changed to Some days I just pray to the god of sex and drums and rock and roll on the recording, although Meat Loaf occasionally sings the more familiar phrase in concert. The structure of the verses remains, but the woman now asks what the man would do. He answers in the affirmative for the first four sections. Woman: Will you make me some magic with your own two hands. Can you build an emerald city with these grains of sand. Can you give me something I can take home. The song's tone changes for the final two sections, in which the woman, on the original recorded version, predicts that the man would eventually do things to upset her and their relationship. The duet part was and still is performed regularly on stage by Meat Loaf with his current featured female vocalist. However, with the passing years their interplay during the coda has gradually taken on ironic overtones, if not overtly comedic ones, which were totally absent from the original album version. For example, what will you do for love the 2007 showafter Russo sings After a while you'll forget everything, it was a brief interlude and a midsummer night's fling, Meat Loaf stops the band and asks her half-sung, half-spoken : Why do you say this to me. Why do you keep saying these things to me every single night. More funny exchanges of the same kind occur during their other live duets, such as the famous track. Each verse mentions two things that the man would do for love, followed by one thing that he will not do. The title phrase repetition reasserts that he won't do that. Each mention of that is a reference to the particular promise that he made earlier in the same verse. To both of these, the male emphatically responds, I won't do that. In his 1998 special, Meat Loaf even explained it on stage using a blackboard and a pointing stick. In a 1993 promotional interview, Steinman states that the definition of that is fully revealed in the song in each of the several verses in which it is mentioned. This sense would have been more clear if the lyric had been and I won't do that instead of but I won't do that. It is the use of but instead of and that leads to the ambiguity. It sort of is a little puzzle and I guess it goes by what will you do for love but they're all great things. I'm very proud of that song because it's very much like out of the world of. To me, it's like or something - very noble and chivalrous. That's my favorite song on the record - it's very ambitious. Meat Loaf believed that the lyrics were unambiguous, but Steinman predicted that they would cause confusion. An early episode of the program made this claim at the end of the song's video: Exactly what Meat Loaf won't do for love remains a mystery to what will you do for love day. A reviewer writing for commented that The lyrics build suspense by portraying a romance-consumed lover who pledges to do anything in the name of love except 'that,' a mysterious thing that he will not specify. Frank O'day says the lyrics provide an enlightening example of how listeners project their own thoughts, values, and concerns onto the meaning of the song with misconstrued lyrics. The phrase I would do anything for love but I won't do that had previously appeared as a spoken interlude in the song Getting So Excited, released in 1985 by Bonnie Tyler in her album. In this song, the phrase's meaning is more clear: a woman is refusing an offensive proposal. Steinman produced this record and wrote many of the songs but this song is credited to Alan Gruner. The song is a full 12 minutes, and Steinman was deeply upset when executives advised him that he what will you do for love to cut it down to get radio play. Manager Allen Kovac warned that any song over five minutes would not be played on radio, saying that if Steinman and the group did not make the cuts then the stations would. Even after they made the cuts, Steinman sent his own version to the stations. The single version was edited down to five minutes and 13 seconds, with the motorcycle introduction omitted. The video version was whittled down to seven minutes and 38 seconds, with part of the motorcycle intro remaining. In the what will you do for love version and single version, the lengthy instrumental break is completely omitted. In the video and single versions, the refrain is abridged as well; sings six verses in the complete song. In the video version, the second and third verses are omitted. In the single version, the second, third, and fifth verses are omitted. Crosby and her partner had moved to to work with Steinman, who became their manager. While visiting the company's studios onCrosby was asked to provide guide vocals for Meat Loaf, who was recording I'd Do Anything for Love. Crosby recalls, In I went and sang it twice and I never thought anything more of it until six months later when I got a phone call saying, 'Would you mind if we used your vocals. Tyler, who described Crosby as a great friend of mine fromsaid: Meat Loaf was naughty, really: he gave her no acknowledgement on the album but I think her part really made that song. Filming took place in in July 1993; the opening chase was filmed atwith the interior mansion scenes filmed at in Beverly Hills. The wasparticularly known for filming in 1973. Pearl says that this video is one of my personal all-time favorite projects. I think the cinematography is pure, and it tells a story about the song. Bob Keane did Meat Loaf's make-up, which took up to two hours to apply. The make-up was designed to be simple and scary, yet with the ability to make him sympathetic. It went over budget, and was filmed in 90 °F 32 °C heat, across four days. According to one executive, it probably had the budget of. It is the abridged seven-minute version, rather than the twelve-minute 11:58 album version. The actress in the video, Dana Patrick, is miming to Crosby's vocals; she did the same for 's vocals in the 1995 song. According to the captions aired onPatrick received several offers for record deals after the video aired, from executives who assumed she was actually singing in the video. The video's climax: Dana Patrick, as Beauty, confronts Meat Loaf, as The Beast The story begins with the opening credits saying: I have travelled across the universe through the years to find her. Sometimes going all the way is just a start. We then see The Beast character — a deformed man portrayed by Meat Loaf, on a motorbike being chased by police officers and a helicopter. As the chase continues into night, the Beast passes through into a graveyard and into what appears to be a very ornate mausoleum hiding from his pursuers. He mournfully examines his deformed hands and features; as the officers enter and examine the mausoleum he crashes through the wall with his motorbike and he accidentally knocks down a police officer whose shotgun goes off and causes one of the chandeliers on the ceiling to fall and kill the officer. The woman appears to be in sunny daylight, while the rest of the woods and castle clearly show that it is night-time. The woman looks into a mirror and glimpses the Beast watching her. She turns and he flees leaving only an amulet hanging on a branch. The woman picks it up and pursues him. As she approaches the castle, the Beast is watching her movements through the reflection of his drink. As she comes into the castle the Beast hurriedly removes himself. The woman sits in his chair and rests by the fire. The beast watches her from his hall of mirrors and contemplates approaching her but is ashamed of his appearance. She later is seen having a bath interspersed with the police officers finding the dead officer's body and preparing to raid the castle. She is later seen trying to sleep while being seduced by 3 vampy women while the Beast sits in a chair a reference to Dracula and the Brides. The Beast leaves the room and, seeing his reflection, begins to smash up the mirrors. The woman, hearing the noise, comes out and follows him into a presumable living room. The Beast observes her from above and levitates the chair she is sitting on. The Beast, then hearing the officers are near moves away, pulls the chaise back down breaking a lamp. The two run away and the woman removes the Beast's hood so she can look at him clearly. She accepts him and caresses his face while they embrace. As they pull away, the Beast is returned to his human form, and the two disappear just before the police catch them. The woman and the transformed Beast finally ride off into the sunrise on his motorbike. The song is featured in the animated comedy and on its. In the film the song is performed by an anthropomorphic meatloaf caricature of the singer. It was used in a commercial for and in the trailer for the 2018 comedy. What will you do for love this version, 's vocal parts are done bywhile 's vocal parts are done by Valerio Recenti, singer of the Dutch rock band. All tracks written by Jim Steinman. I'd Do Anything for Love But I Won't Do That 7:52 2. I'd Do Anything for Love But I Won't Do That single edit 5:09 2. In most countries, it was Meat Loaf's first and only number one solo single. This was then broken when released their 1997 hitclocking in at 9 minutes and 20 seconds. In Germany, the song is the 7th best-selling pop hymn ever. Meat Loaf won a for the song. British adventurer, cites this song as his inspiration to apply for selection into the : Enthusiasm and determination count for so much more than, skills, brains or qualifications. Media myths in popular love songs. In Galician, Mary-Lou; Merskin, Debra L. Critical thinking about Sex, love, and romance in the mass media: media literacy applications. To Hell and Back: An Autobiography. Jimmy always said, You know what. Archived from on April 19, 2013. Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 in Finnish 1st ed. Archived from on June 3, 2009.

A woman might put on an endearing mask and do things that would be deemed out of character, thinking she'll win a guy's affection. So that really drew me into the movie, now I curious to see the other half. You can respectfully say no, you can't do that thing or run that errand or hang out for another 9 hours, because something else must also take priority in your life. So, you put on a smile and tell him you had the perfect day at work when in truth it was the worst workday in your history. Yes, crude, sloppy and unruly is the way you'd describe his friends.